There's was a bit of sketchbooking and sketching during lockdown, but now the fields are infested with men in hard hats there's been a lack of sources of inspiration around here. Even the woods aren't safe, as the dust from the the diggers floats like a cloud over everything. My husband has just written something for the little men in their diggers! Very tempting to print it out and fix it to their silly fences.
So I've enrolled on a rather wonderful art course. It's not exclusively for painters (which is good, because I'm not) but it does involved getting messy with the stuff to work through the exercises.
This first exercise was fast and fun fun fun. Just what I need!
I cleaned my palette, with the unused blue paint, by wiping it onto sketchbook pages with a knife - and a seascape emerged!
I've combined some of my sketchbook inspirations from the fields with my most recent paint play, and this was my favourite so far - spot the bracken frond!
There has been a lot more experimenting since I took these photos, far too much to photograph and document - even on my arty instagram page (I keep this separate from my textiles instagram grid)
I'm having fun. I'm going back to the textiles soon as I have other things I want to do. Ideally I want to find a way to combine the two - paint first, interpret in fabric and stitch? Paint on fabric, then stitch? Stitch, then paint? Add fabric and stitch to paint?!
It's all good!
PS Should I keep my painty instagram separate from my textile instagram? Should it all be one and the same? All the time I'm not sure what I'm doing with paint, I'm not sure. Thoughts?
PPS I'm doing the thinky thinky again! Oops!
That’s what I’m beginning to come round to...
ReplyDelete